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Adaptive Multi-Rate (AMR) is a lossy data compression scheme optimized for speech. AMR is adopted as the standard speech codec by 3GPP. The codec has 8 bit rates, 12.2, 10.2, 7.95, 7.40, 6.70, 5.90, 5.15 and 4.75 kbps (as depicted in Figure 8.8). The bitstream is based on frames which contain 160 samples and are 20-ms long. AMR enables better speech quality and increases the capacity of the network, but does not require any additional hardware investment. The solution relies on the capability of the AMR codec to adapt how effectively it performs according to the prevailing channel conditions. Unlike previous GSM speech codecs (FR, EFR and HR), which operate at a fixed rate and constant error protection level, the AMR speech codec adapts its error protection level to the local radio channel and traffic conditions. AMR actually comprises a family of codecs, which greatly increases its flexibility. In poor network conditions that produce a high amount of errors, more bits are used for error correction to obtain robust coding. However, when transmission conditions are good, fewer bits are needed for sufficient error protection and more can therefore be allocated for speech coding.

n 4, you learned how to create paths. In 5, you learned how to create various objects. Now you need to know how to change them. This chapter explains how to select what you want to change and how to change it. After you create, trace, or even legitimately borrow someone else s artwork, there s always that period where you look at the artwork and realize that it s not quite right. That s where this chapter comes in. No, I won t do your finishing for you, but I show you how to take advantage of Illustrator s many tools to obtain the best end result, from slight control handle manipulations to massive scalings and rotations to dramatic effects created with the Pathfinder panel. The focus of this chapter is modifying individual paths and the points on those paths by cutting them, combining them, and adjusting them.

Using the File Import Records Folder command, you can import an entire folder of image files, QuickTime movies, or text files into the current database. (You can specify that all enclosed subfolders be imported as well.) Like other Import procedures, the imported material can create new records, update records in the found set, or replace the records in the found set. Unlike importing files from a digital camera, all FileMaker 8-supported platforms can use the Folder import procedure.

Most software packages are forward-compatible for one major version, but Illustrator is novel in that you can open an Illustrator 1.1 file in the current version of the software, even though many years have passed between those product versions. If necessary, you can also export an Illustrator document to certain older Illustrator formats using the Illustrator Options dialog box. To open this dialog box, select File Save As and then choose Illustrator from the Save as type list box. In the options dialog box, you can choose the version of Illustrator to save as. The only real reason to save illustrations in older versions of Illustrator is to exchange files with Illustrator users who haven t upgraded from an old version. This is pretty much always a bad idea, as saving as a legacy version may remove useful information from your Illustrator file. Within a few months after the release of Illustrator, most users will be upgrading. If they aren t, they probably don t understand the new features and usefulness of the latest version (or in the case of many printers/service providers, they just don t want to deal with the hassle of upgrading). Regardless of why people aren t upgrading, it s going to cause compatibility issues for you, so encourage them to upgrade as soon as possible. If they re truly serious about using Illustrator, they need to be using the most current version. I won t deal with printers that aren t on the most current version of Illustrator because they tend to be technically incompetent when it comes to working with my files

You can modify many objects simultaneously to make them all glow, for example by selecting all of them at once and applying the changes through the Stroke, Fill, or Effects sections of the Property inspector.

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